![]() ![]() ![]() A card width is generally integer multiples of 1HP, although some manufactures work in multiples of 0.5HP. 1HP (0.2 inches or 5.08 mm), where width "HP" is measured in horizontal pitch units.3U (5.06 inches or 128.5 mm), where height "U" is measured in rack units, rounded for a lip (nb: 3U in standard rack units would be 5.25 inches or 133.3 mm).The physical specification is based on the Eurocard standard of: Mechanical: A100 Construction Details.The basic requirement is compatibility with the Doepfer technical specifications: Specifications Īn unpopulated Eurorack case, showing the power busįor synthesizers, Eurorack is a de facto standard to allow different modules to fit in the same cases and communicate among themselves. īy the end of fall 2018, the ModularGrid website included more than 316 manufacturers. In 2015 Moog released the Mother 32, a Eurorack-compatible semi-modular synthesizer. In addition to modules, manufacturers like Arturia started producing outboard devices such as the Beatstep and Microbrute ĭesigned to be able to communicate with Eurorack modular synthesizers via 3.5mm jacks transmitting control voltages. In the mid 2010s, increasing interest in Eurorack modulars prompted large, well-known music technology manufacturers to start producing Eurorack-compatible equipment aimed at this new market. Music technology journalists estimated that there were already at least 80 manufacturers offering over 700 modules, greatly expanding the musical possibilities available from a Eurorack system to include sampling and sample manipulation, West-coast-style wavefolding, DSP-based effects and more. īy 2013, the Eurorack format had gained in popularity. In the mid 2000s, other manufacturers such as Cwejman, Make Noise Music and TipTop Audio adopted Doepfer's Eurorack format and started designing and manufacturing compatible modules. Analogue Systems would later change their products to offer Eurorack compatibility. In the UK, Analogue Systems had been independently developing a very similar format, with small technical differences such as the power connectors. #Eurorack reamp series#In 1996, Doepfer Musikelektronik released the first Eurorack-format modular synthesizer system, the Doepfer A-100, followed by successive new series of compatible modules in 19. His Voice Modular System from the early 1980s was a Eurocard-based "modular" (the modules were non-patchable voice cards etc.) polyphonic synth, but the front panels look very similar to the later A100 modules. The Synton 3000 (3U x 8HP, 4 mm “banana” jacks, +/-15V) was of similar format, but constructed more like a modern Eurorack synth.īy the late 1980s, these had all ceased production.ĭieter Döpfer built some Formant modules before producing his own systems.BME PM10/Axiom (3U x 8HP, RCA/Phono jacks, 31 pin bus, +/-15V).Elektor Formant (3U or 6U x 7HP, 3.5 mm jacks, 31 pin bus, +/-15V).Should I be recording using the line level input (XLR) or instrument input (TS)? I'm using XLR at the moment.Before Eurorack, in the late 1970s, several modular systems based on the industrial “Euro” card frames appeared: Actually, come to think of it - the feedback signal might be hitting the Hotplate too as I've often see it's bulb go mental bright! I might make a quick video to show what I mean. It sounds like shit when I use the line output from the Hotplate, like there's feedback appearing outta no where. In my DAW, I set it up so that the DI track only sends to hardware output 1, and I re-record this back in on another track. So the cable from output 1 just goes into my Tubescreamer. I connect them using an RCA to TS phono cable. Click to expand.Glad you replied dude, I've heard your "no reamp-box" reamps and they still sound great, so I'm really hoping you can help me get this sorted!Īccording to the manual, the headphone output on the front is directly linked to the TRS outputs (balanced) on the back, so for reamping I decided to use the phono outputs (unbalanced) - specifically, output 1. ![]()
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![]() ![]() Customers may find it difficult to form a relationship between the business and its graphic depiction of such logos are difficult to remember. In 2022, a logo based on a sophisticated logomark will scarcely surprise anyone. Instead of realism, symbolism and minimalism are used.Top creative logo design trends for 2022 that will be helpful to up your brand value: Logotypes: logotypes Simple textual representations, such as a company’s initials.Pictographs: Pictographs are visuals that are symbolic and representational.Ideographs: Ideographs are abstract images that are created in a freeform manner.There are three types of logos, which are frequently combined. A graphic artist typically creates a logo in collaboration with a company and marketing professionals. Symbols, stylised text, or both are commonly used in logos. Logos are used to represent a company or group through a visual representation that is simple to understand and recognise. 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And a good logo should aid in the establishment and strengthening of your brand’s identity while also marketing your product or service. ![]() A creative logo design should be simple, memorable, and persistent. ![]() ![]() Leslie Powell, PA-C and Johnathon Tilley, EMT came in the house and were very professional. I had no idea what to expect when GoDocs came over to see my grandma for the first time. Godocs maui full#Looking for Child Support, Spousal Support information? Go to our Garnishments page for more information.Too sick to trek across town to the Doctors office? Can't take off work to take parent/grandparent/child to the doctor? Too cold? Too hot? Ambulance transportation to expensive? Maybe you just like the luxury of having the Doctor come to you.now you have the option! 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SPECIAL INFORMATION FOR ACTIVE DUTY/LINE OF DUTY SURVIVING SPOUSES WHO ELECTED THE OPTIONAL ANNUITY FOR DEPENDENT CHILDREN - Check Out Our New Quick Reference Guide! You should continue to receive your normal DIC amount from the VA. ![]() *Note: the change in the law does NOT affect the amount of DIC you receive from the VA. The first payment for Phase Two was February 1, 2022. See our full range of FAQs on the SBP-DIC News webpage. ![]() In Phase Two of the SBP-DIC Offset Phased Elimination, which began January 1, 2022, the amount that is offset (deducted) from the spouse’s SBP annuity payment will be one-third of the amount of the DIC payment. SBP-DIC OFFSET PHASED ELIMINATION - Phase Two Began January 2022 - Check Out Our New Quick Reference Guide! Godocs maui update#Find out how to log onand update your contact information so you never miss a message. We created a new kind of myPay account especially for Gray Area Retirees! 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![]() ![]() It gets the smart tag because it can push up to 3.4W into a tiny ‘0.5W’ phone or tablet speaker by continuously measuring the speaker’s dynamic impedance, using an on-die DSP, and automatically notching out audio content at that resonant frequency. Lemmers’ need at NXP is to work with the firm’s TFA9890, a ‘smart’ amplifier for phones. ![]() Revision 1 board owners might be locate and solder to the I2S signals here (scroll to the bottom) – But be aware, should you need them, that I2C busses were swapped around between revision 1 and 2. ![]() On Revision 2 of the Raspberry Pi PCB, connections for these two busses are bought out next to the GPIO pin headers on P5, a footprint which allows a second 0.1in pitch header to be soldered in.ĭifferences between Revision 1 and Revision 2 boards are on the Foundation’s website. In the case of NXP, digital audio is expected over I 2S, and control over I 2C. Now codec can be far more sophisticated and their advanced features, like DSP and audio path switching, need controlling. In the general case, word select is re-named ‘frame start’ and pulses once to coincide with the first bit of the first channel on a multi-channel bus.Įarly audio codecs were simply DACs and only required digital audio. I 2S is a sub-set of related time division multiplexed (TDM) pulse code modulated (PCM) audio interfaces with the same four wires for one or more channels. Word select, in this case, carries an 44.1kHz square wave which indicates whether left or right channel data is being sent at any moment. Audio data in and out are continuous strings of bits, directed and clocked by the other two signals.įor 16bit stereo from a CD (CDs are sampled at 44.1kHz), for example, the clock runs at 16x2x44,100=1.4112MHz. “Using I2S, you can implement any audio codec you like, but it has limitations: I 2S can only be used for stereo,” said Lemmers.Īlong with a ground connection, it has four wires: audio data in, audio data out, words select, and clock. USB AUDIO DRIVER FOR PIE SERIALI 2S is a serial bus specifically defined for communicating digital stereo. “Revision 2 of the hardware has an extra connector implemented that contains exactly the signals that I require: I 2C and I 2S.” “I bought a few Raspberry Pis a few weeks ago,” said Lemmers. UPDATE – Wolfson has releases a hi-fi audio board for Raspberry Pi USB AUDIO DRIVER FOR PIE DRIVERSSo, Electronics Weekly asked itself, how difficult would it be to design a piggy-back board to add a high-quality audio output to Raspberry Pi.Ī little phoning around revealed that more than one chip company has been thinking along the same lines, and by coincidence Wim Lemmers, principal application engineer at NXP, recently acquired three Raspberry Pis for his lab on which to develop Linux drivers for one of the firm’s audio codec chips. ![]() ![]()
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![]() Instead, I decided to stay in chronological order and post this eyebrow tutorial first. #ANASTASIA AQUA SWATCH MAC#I know that I needed to get this video out asap since I already posted a review, but I was almost conflicted because I wanted to get my MAC Haul Video up too. I like to make regular videos and then prioritize how I like to release them. We don't want to setĮxpectations and then disappoint readers as even products that are swatched don't always end upīeing reviewed due to time constraints and changes in priorities! Thank you for understanding! Comments on this post are closed.So many videos, so little time! I took a sick day, cough cough wink wink, on Tuesday and filmed 5 makeup videos! On top of it all, MAC’s new collection came out on Wednesday– Neo Sci- Fi, Solar Fields, and Future Earth. We appreciate enthusiasm for new releases but ask readers to please hold questions regarding if/whenĪ review will be posted as we can't commit to or guarantee product reviews. Will typically be removed after errors are fixed (unless a response is needed). Comments alerting us to typos or small errors in the post are appreciated (!) but Please help us streamline the comments' section and be more efficient: double-check the post aboveįor more basic information like pricing, availability, and so on to make sure your question wasn'tĪnswered already. Off-topic question, or need technical support, please Please keep discussion on-topic, and if you have general feedback, a product review request, an Discussion and debate are highly encouraged but we expect community members to See comparison swatches / view dupes side-by-side. The texture was a little crumbly and dry, but it was blendable and had good pigmentation. Gold Bar is a yellowed gold with almost cool undertones and a metallic sheen. It had fairly good pigmentation, and the texture was soft and blendable, though a bit powdery. See comparison swatches / view dupes side-by-side.Ĭaramel is a medium-dark, copper-brown with warm undertones and a matte finish. It wore well for eight hours before fading, and there was a little bit of fall out over time. The version in this palette performed better than the one in Amrezy. Glisten is a medium-dark copper orange with a sparkly, metallic finish. It had a drier, powdery feel but decent color payoff, though it needed to be patted and packed on to stay reasonably vibrant. See comparison swatches / view dupes side-by-side.įresh Peach is a lightened, medium orange with a frosted finish. It was very sheer, powdery, and prone to fading. See comparison swatches / view dupes side-by-side.Īqua is a light-medium aqua blue with a pearly sheen. It wore well for seven and a half hours before fading. It was somewhat powdery but had decent to good color payoff. Vanilla is a light beige with warm undertones and a semi-matte finish. The texture was slightly powdery, but it was blendable and had good color payoff. Warm Taupe is a warm-toned, medium taupe brown with a matte finish. It had nice pigmentation, and the texture was nicely balanced between soft and blendable. Sienna is a muted, medium-dark copper-brown with warm, red undertones and a matte finish. It was dry, slightly stiff, and difficult to blend on the skin. See comparison swatches / view dupes side-by-side.ĭeep Brown is a blackened brown with cool undertones and a matte finish. ![]() It had good color payoff but was a smidgen powdery. ![]() Nude is a cool-toned, pink-tinted beige with a matte finish. If you have a few of Anastasia’s palette, there tend to be a few repeats per palette. I am always surprised at how well they wear, despite the drier texture, though, even without primer (about eight hours for most shades). The Aqua shade was a total dud and shows up as a muddy mess on the lid without a sticky, white base. There’s a dryness to a lot of Anastasia’s eyeshadows that keep them from feeling like a truly fantastic eyeshadow, but a good primer can help them go on more smoothly without having to really pack it on (to retain vibrancy). Some shades are nice, other shades are a little powdery or dry, so it’s more of a mixed bag. ![]() Anastasia Maya Mia Eyeshadow Palette ($29.00 for 0.25 oz.) includes ten eyeshadows that range from light beige to deep brown to a pop of aqua and peach. ![]() ![]() If the man page displays then the utility is installed. An easy way to check to see if you already have these utilities installed is to see if the MAN pages are installed Let’s take a look by installing it on my demo virtual box.įirst lets see if we have some prerequisite utilities installed that will allow us to download and uncompress the BASIC program files. Once XWindows server has been installed and started, you can access Chipmunk BASIC from a terminal or remote session however.Īctually, it turned out to be a very very simple process. No sweat, I am up for the challenge! The second catch is that this version of BASIC must be run in a GUI under X Windows. #Chipmunk basic version installone is that you have to download and install the program and the MAN pages manually. Chipmunk Basic presents a vintage traditional command-line console programming environment, and supports a very simple, old-fashioned, and easy-to-learn Basic Programming Language syntax.” This sounds like what I am looking for! So just what is Chipmunk BASIC? Direct from the authors website, “ Programming Language. ![]() Sure enough there is a compiled version for LINUX. So off I went to Google, and found the authors web page. When I primarily used a Mac computer, there was a version of BASIC written for MacOSX called Chipmunk BASIC. So Ibegan to wonder, instead of converting the program to BASH, what options are there for us to actually program and run BASIC programs natively under LINUX. Month after month this has been one the most popular posts on my blog. Back To BASIC – Chipmunk BASIC 3.1 on CENTOS 7īack in December of 2014, I posted an article where I converted a BASIC program from the 1982 Commodore 64 Users Guide and converted it to a BASH script on CENTOS 6.5, you can read the article by clicking here ( ). ![]() ![]() A dramatized retelling of the infamous Travis Walton abduction story (which may or may not have been heavily dramatized by the people who originally told it, depending on who you ask), Fire in the Sky remains one of the few legitimately frightening UFO movies. Knowing that, it should come as no surprise that I was utterly galvanized by Robert Lieberman's Fire in the Sky when it theaters in 1993. Adults seemed to have the answers about fucking everything, but none of them seemed to be able to explain Bigfoot tracks or missing airplanes or whatever the hell Betty and Barney Hill saw in the woods that one night, and what could be more fascinating than a thing my parents didn't have an answer for? Finally, I thought, even ground! The classic version of Unsolved Mysteries was always good for a fix on one of these fronts, and I could frequently be found with my nose jammed into one of Time-Life's old Mysteries of the Unknown hardcovers. Rolled into those interests was an insatiable hunger for stories of the unexplained: Bigfoot, the Loch Ness Monster, the Bermuda Triangle, aliens, you name it. ![]() Some of that was just my natural inclination – I was a morbid kid who loved monsters, creature FX, and pushing my tolerance for scary movies ever further. This is all very bad news for me, a dude who grew up sort of obsessed with the very concept of UFOs. Even fewer have any real budget behind them fewer still have a script or set pieces that you can really sink your teeth into. Dig into the guts of Amazon Prime or Netflix, and you'll find all manner of alien invasion/UFO movies, and very few of them are any goddamn good (even worse, many are also of the found footage subgenre if you've seen even one found footage alien abduction movie, you have more or less seen the majority of what that particular sub-subgenre has to offer, and it ain't much). If we're being honest, this particular subgenre doesn't get a lot of attention, and I mean that both financially and creatively. That Nope also turned out to be a brand-new, winning entry in the alien invasion/UFO horror subgenre is almost too much good news to bear. From the talent involved (Peele scripting and directing, Hoyte van Hoytema shooting, Keke Palmer and Daniel Kaluuya and Steven Yeun and the legendary Michael Wincott in front of the camera) to the film's nods to Spielberg and Shyamalan to my enduring love for films with titles that throw a sizable middle finger in the face of SEO practices, I was basically in the bag for this one from the moment all the contracts were signed. If you're anything like me, you're gonna have a helluva lot of fun with it.īut then, of course, this is where I landed on Nope. It's been a long time coming – three long years since the arrival of Peele's last theatrical mindfuck, Us nearly two years since the project itself was announced one year since the arrival of Nope's intriguing first poster and five months since the film's very first teaser trailer debuted during the Super Bowl – but the wait is finally over, and (in this writer's considered opinion) turns out to have been well worth all the time we spent impatiently eyeballing our calendars and tapping our watches. Unless you've been living under a rock for the past six months, you are well aware that Jordan Peele's highly-anticipated Nope hits theaters this weekend. ![]() Welcome to Into The Void, a weekly pilgrimage into, well, whatever happens to be going on in the horror-obsessed (and unfortunately opinionated) mind of Scott Wampler, officially licensed opinion-haver and co-host of the FANGORIA Podcast Network’s The Kingcast. ![]() |
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